CHANNELS
Editorial Essay

Bryce Becker
Alexander Billet
Fabiola Carranza
Stephanie Cuepo Wobby
Shweta Deshpande
Daniel Dominguez
Madison Felman-Panagotacos
Ksenia Firsova
Emily Forney
Kersti Francis
Jeanny Fuentes
Anthony Graham
Jonathan Helm
shah noor hussein
Olivia Joyce

Katie Lally
Adam Love
Lillian Lu
Mackenzie Weeks Mahoney
Brooke McEwen
Marissa Mika
Derek O’Leary
Caitlin Scholl
Arielle Stambler
Hannah Standley
Joanna Steinhardt
Jessie Stoolman
Miloni Vora
Aaron Wistar
Justine Yan

Animals are Always the Observed, Nachiket Prakash

three sudanese women place their henna patterned hands in the center of a circle, the patterns are fresh and wet, recently applied and still drying, the photographers left hand enters the frame from the bottom, hovering slightly above the other but reaching below to them.

SUDANESE SIBLINGS, shah noor hussein | 35mm film | 2018 | 20 x 30 in

Editorial Fiction

Joelena Despard
Jeanny Fuentes
Julissa Guerrero Iniguez
Manon Hakem-Lemaire
Kaity Lindgren-Hansen
Anny L. Mogollón
Luz Jiménez Ruvalcaba
Bassam Sidiki
Kristen Simental
Jake Soule
Arielle Stambler
Charlotte Taylor

Editorial Poetry

Negar Ajayebi
Jonathan Helm
Mary Huber
shah noor hussein
Kortney Morrow

This black and white image features the same fair skinned female. On the left side of the image she sits looking across the frame. Coming from her face are motion blur streaks which lead to a ghostly image of her face in the right bottom corner of the frame.

in medias res, Elaine Sanders

"God" – a black woman is facing forward, with wings behind her. Her neck and body are adorned with beads. Her face has a dotted pattern beneath her right eye, on the bridge of her nose, and underneath her bottom lip.

God, Bushmama Africa

Copyediting

Kelly Alblinger
Bryce Becker
Daniel Dominguez
Madison Felman-Panagotacos
Emily Forney
Kersti Francis
Jeanny Fuentes
Michelle Garcia
Illianna Gonzalez-Soto
Anthony Graham
Julissa Guerrero Iniguez
Olivia Joyce
Kaity Lindgren-Hansen

Ruddy Lopez
Adam Love
Mackenzie Weeks Mahoney
Brooke McEwen
Derek O’Leary
Caitlin Scholl
Bassam Sidiki
Jake Soule
Arielle Stambler
Hannah Standley
Aaron Wistar
Miloni Vora
Monika Zaleska

Art Direction

Fabiola Carranza
Shweta Deshpande
Joelena Despard
Manon Hakem-Lemaire
Mary Huber
shah noor hussein
Marissa Mika
Anny L. Mogollón
Kortney Morrow
Luz Jiménez Ruvalcaba
Kristen Simental
Hannah Standley

“GARDEN OF CONSCIOUSNESS: MOMENT OF CHANGE” – Completely separated by the capitalist world above, re-birth and change occur as the perceiver enters a green house where life grows in protection.

Garden of Consciousness: Moment of Change, Mary Alvarez

In sepia pen ink on paper: A gate or an image resembling a doorway exists and beyond it, an exotic, abstracted landscape. The figures live around this frame but are turned away as if the natural world on the other side is of no consequence.

la 29, Chung Park

Production

Kelly Alblinger
Shweta Deshpande
Joelena Despard
Daniel Dominguez
Madison Felman-Panagotacos
Ksenia Firsova
Illianna Gonzalez-Soto
Anthony Graham
Julissa Guerrero Iniguez
Olivia Joyce
Katie Lally
Kaity Lindgren-Hansen

Ruddy Lopez
Adam Love
Mackenzie Weeks Mahoney
Caitlin Scholl
Bassam Sidiki
Jake Soule
Joanna Steinhardt
Jessie Stoolman
Miloni Vora
Aaron Wistar
Stephanie Cuepo Wobby
Justine Yan
Monika Zaleska

Social Media

Ksenia Firsova
Illianna Gonzalez-Soto
shah noor hussein
Anny L. Mogollón
Hannah Standley
Stephanie Cuepo Wobby
Justine Yan

Print of two birds on a branch

Society Finch (Jshimai [Jshimatsu]), Kitao Masayoshi

for Los Angeles Review of Books
Medaya Ocher, PubLab Editorial Advisor
Katelyn Keating, PubLab Web Advisor
PubLab Issue 3.0 is a production of the 2020
Los Angeles Review of Books Publishing Workshop